Thursday, November 12, 2009
rethinking
letting go of an idea that i'm attached to is a really hard thing to do. and that's why i'm going to do it here, in a semi-public sphere. to make it *official*. goodbye big beautiful dilapidated building. i will think of you often.
Tuesday, November 10, 2009
colouring
in the spirit of wasting time, i thought i'd visit colourlovers, which i haven't messed around with for a while...so much fun to be had on the internets. too much. here's a color palette:
based on this "inspiration" photo:
based on this "inspiration" photo:
Thursday, November 5, 2009
collaborating
I was just browsing around my friend Rick's blog and was reminded of this project that we did together a while back. I miss the little ghosties. It was an extremely fun and satisfying project--the kind of thing I could do all the time.
quilting
Last night I had a rare opportunity to see a collection of Gee's Bend Quilts at BAM and meet two of the artists whose families have been making these quilts for generations. It's a remarkable story, and the quilts are really exciting to look at.
I have to admit though, some of the Q&A totally bugged the shit out of me. There could have been a really interesting conversation about any number of topics--Louisiana and China--the two women present--had really insightful and intelligent things to say--but were asked stupid questions like: "Doesn't it just feel AWFUL to see your work hanging in a museum, instead of wrapping yourself up in it?" Louisiana's answer was (I'm totally paraphrasing) "If we kept our quilts for ourselves, we'd be the only ones who knew about them--this way the whole world gets to see them, and enjoy them. Our quilts are like children--they are born, they grow up, you let them go." Such a lovely, simple, pure way to look at it. And all those art students couldn't grapple with the guilt they felt about how intentionally they are going about their work. How much purpose and importance and thought they put into it; instead of just creating--out of necessity--and letting the work speak for itself.
I have to admit though, some of the Q&A totally bugged the shit out of me. There could have been a really interesting conversation about any number of topics--Louisiana and China--the two women present--had really insightful and intelligent things to say--but were asked stupid questions like: "Doesn't it just feel AWFUL to see your work hanging in a museum, instead of wrapping yourself up in it?" Louisiana's answer was (I'm totally paraphrasing) "If we kept our quilts for ourselves, we'd be the only ones who knew about them--this way the whole world gets to see them, and enjoy them. Our quilts are like children--they are born, they grow up, you let them go." Such a lovely, simple, pure way to look at it. And all those art students couldn't grapple with the guilt they felt about how intentionally they are going about their work. How much purpose and importance and thought they put into it; instead of just creating--out of necessity--and letting the work speak for itself.
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